| On 15th October 1767 the town was presented
with a new image of Jesús Nazareno by the Duchess of Medinaceli as thanks for
the town's tribute on the birth of her son. (Local legend however suggests that
the image was actually intended for the Duchess but, after several attempts, it
couldn't be carried across the Cabo de San Antonio headland and thus this was
interpreted as a sign that the destiny of the image was in Jávea.) The image was
carried on the shoulders of young sailors to the church of San Bartolomé where
it remained until the small Calvario shrine was completed to house the new
statue three years later.
In 1834 cholera swept through the area and the
population prayed to the image for salvation from the plague. There were no more
deaths from cholera that year and ever since. In gratitude, the locals made
improvements to the chapel of Calvario in 1847 to its present form, complete
with the Arabic-style blue tiled dome and dedicated special celebrations in its
honour.
The original image was destroyed by the
comunistas
during the Spanish Civil War but a replacement was able to be made from a
surviving photograph; this is the image we see today. In October 1967, to mark
the bicentennial of the supposed gesture of the Duchess of Medinaceli, the mayor
of Jávea, don José Llidó Vicente, proposed that the image of Jesús Nazareno be
named perpetual mayor and be given the baton of office "for eternity" which
meant that for all religious activities involving it, no mayor would ever lead
with the baton. The proposal was unanimously agreed and, to this day, the image
carries the baton of office at his feet. The appointment was welcomed with great
joy by the people of Jávea. After all, who better to keep them from harm than
Him? There were great celebrations as the streets was decorated with flowers,
flags and lanterns. There were bulls, musical performances, dancing in the
streets and parades, essentially similar festivities that take place today, the
largest religious celebrations in Jávea.
On the third Sunday of Lent, the image
of Jesús Nazareno is brought down from the chapel
of Calvario in solemn procession to the church of San
Bartolomé, where it will stay until the end of the festivities.
On Good Friday - el viernes santos - the image is carried
through the streets of Jávea in another emotional cavalcade to
mark this significant event in Christian mythology.
And then, at the end of April, the festivities begin.
The
taunting of animals may not be to everyone's liking
and thus those individuals tend stay away from the opening
event of the fiesta - the controversial demonstration of
bravery in front of heifers and bulls in a special arena
built on the car-park just of Avenida de Palmela. Yet
it remains widely popular with a population that is
still essentially rural in nature and these events
are well attended. The special cages which surround
the arena are mostly privately owned by family and friends and
it is only those who may use the platforms on top, although
anyone is welcome to stand in the cage below. However
watch out for those runners escaping the charging animals as
they may drive themselves forcibly between the bars
to avoid a bloody goring and many more accidents are
as a result of a clash of heads than from those horns.
Certain
nights offer the spectacle of the 'toro embolado' -
the "flaming bull" - in which special clamps
are attached to the horns on which flammable material
is wrapped and then set alight to add a certain edge
to the event. The practice probably oversteps the mark
for many people and several animal rights campaigners
have been pressing to have it banned by the EU.
Yet, for many others, it remains part of the heritage
of Spain and something that they would protect dearly.
The tradition appears to stem from the days when animals
wandered freely through the streets of many villages
and towns. Whilst they could be avoided during the day,
a series of mishaps with horns during the darkness of
night resulted in many villages requiring these animals
to have torches strapped to their horns as a early warning
system. And thus the 'toro emboloado' serves as a reminder
of the past, albeit a little inappropriately for
some people.
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